Edward scissorhands Free Essays

We instantly scan people for some characteristic we like and then we latch on to it. Social expectations we are all trained in from a young age, Edwards problem is that he isn’t used to this. He has to be taught all these things. We will write a custom essay sample on Edward scissorhands or any similar topic only for you Order Now Each group of friends and family has little expectations . Edward has a lady who comes Edward and Othello are treated really well until they provide an advantage to society, once this benefit is complete these people are thrown out like trash. Still a elineation between a man and a woman. Othello Just expects her to obey him no matter what. Edward is not believed when he says she was seducing me , he is not believed because he is different. Othello and Edward are both subjected to perspective. They all believe Desdemona deserves better than Othello, and the girl deserves better than Edward. They are both obviously different and are therefore excluded. Because you have a heritage from another country you must be born there. Alienating someone can really affect their identity. If one person starts to doubt one person it gets contagious. Iago puts enough doubt on Othello to lead and the weird lady makes everyone turn against Edward. Once people can make other people see them differently Seed of doubt, once that gets planted that’s when the trouble starts. The only woman that understands Edward is that woman, who is mothered by her Othello – you never hear that he can go and talk to someone when things go wrong. Edward has no one either. Edward has the woman who seems a bit naive but Othello has literally no one. Othello sees himself as an outsider- the whole out of my league thing- he cant believe that Desdemona has married me He sees himself as a rough, baboon soldier, this is evident when he apologises for his speech If you don’t know the rules then you become the outsider If it doesn’t agree with their thinking they will change things to make things work for them. People that feel like outsiders, are easy to take advantage edward scissorhands By brandonrouth How to cite Edward scissorhands, Papers Edward Scissorhands Free Essays Some people are monsters by appearance and others by behaviour. The way people treat others often influences how they react. In this caseEdward was a kind To discuss the essay question it is necessary to have a clear understanding of the meaning of the word monster, The Collins dictionary defines it as an imaginary beast, made up of various human and animal parts, an inhuman person or a cruel and wicked person. We will write a custom essay sample on Edward Scissorhands or any similar topic only for you Order Now This certainly describes Edward Scissorhands and with this definition in mind it is easy to argue that many of the characters in â€Å"Edward Scissorhands† behaved in a monstrous way. Edward Scissorhands is a monster created by an eccentric inventor who unfortunately died before completing his creation, leaving Edward with scissors for hands. In a flash back to the scene were his inventor cuts out a heart shaped cookie and places it on the robot body it creates a pleasant image in the mind of the viewer. Edward lived isolation in a Gothic Castle until he was discovered by Peg the Avon lady, she took pity on him and took him into her home. The suburb where she lived all of the houses are painted in pastel colours with neat gardens creating and image of a suburban wonderland, Edward appears as a very quiet young man with a child like innocence. So whilst Edward is indeed a monster by creation and appearance he is not so by nature. The neighbours behave in a way that could easily be argued as cruel and wicked, so by definition could be argued as monstrous behaviour. Edward is a kind and naive young man who is exploited by his neighbours who present themselves as friends but turn on him without question. Although the characters in the film are not deemed as monsters, the way they act makes them monsters. Their lack of understanding towards Edward impacts the way they treat him and in turn how he responds. The neighbours originally reject Edward due to their ignorance, prejudice and lack of empathy. When they discover his artistic ability to clip dogs, trim hedges into various shapes and style the hair of the ladies he becomes the most popular person in town and everyone loves him. As quickly as the neighbours accept him they turn on him and reject him. Edward gets into trouble with the Police and the neighbourhood once again turns on him, the women are again outside gossiping about him and saying cruel things about him suggesting he is the â€Å"son of Satan†. The main villain is the families neighbour Jim, whose hatred towards Edward is driven by his jealousy after realizing that Kim has a soft spot for Edward. Jim almost runs over Kim’s brother Kevin and Edward saves him, in doing so he accidently cuts Kevin’s face. The neighbours immediately without understanding the situation seek revenge on Edward and it is like a chain reaction with the whole neighbourhood turning against Edward like a bunch of vigilantes and violently rejecting him. What makes the behaviour of the neighbours seem so monstrous is the impression of Edward being so naive, he was exploited by his neighbours and violently turned upon without question. In the end the main villain Jim meets his death and the scene has the neighbours still seeking revenge when Kim tells them that Edward is gone. There seems to be no emotional reaction from them again, an example of cruel and wicked behaviour. Edward’s death is almost a relief for the How to cite Edward Scissorhands, Papers Edward Scissorhands Free Essays Studying Edward Scissorhands Tim Burton really unleashed his imagination for the first time when he made the pop fairytale Edward Scissorhands in 1990. Just as Burton’s success is associated with Batman, his artistic reputation is inextricably linked to Edward Scissorhands. Modern narratives are often updated versions of timeless stories. We will write a custom essay sample on Edward Scissorhands or any similar topic only for you Order Now Edward Scissorhands adapts the structure and conventions of the European fairytale to a contemporary American, suburban setting. Clips mentioned in this section are not available to view on the website but are readily available to buy or rent from the usual outlets. The film can be read as a dark, romantic fable for adults, another take on the disparity between the individual and society, on the unique nature of one single character and the horror of conformity. The Frankenstein story provides the model here. ‘A monster with a heart’ was one of the central themes of Mary Shelley’s Frankenstein, with an emphasis on sympathy, and intellectual and emotional identification particularly characteristic of English Romanticism. Edward Scissorhands takes up this tradition in so far as the creature becomes an object of sympathy and makes the world around him appear monstrous in comparison with his own innate goodness. Burton sets his story in a contemporary American suburb. He has given each generation represented in Edward Scissorhands its own system of symbolic shorthand representing the different eras they grew up in, different times associated with different tastes, each expressing a particular aesthetic. The parents generation is characterised by familiar 50s and 60s icons; theconformist, consumer-led boom of those years represented by lava lamps, functional interiors and social rituals like the barbecue. The younger generation wears the insignia of the 80s: jeans, T-shirts and the dream of fast money symbolised by a Landrover decorated with flames, all very reminiscent of the familiar aesthetics of Slacker films. Ultimately Edward represents two apparently disparate cultures. His clothes – a tight black leather suit with metal accessories – look like the rebellious uniform of punk, whose ‘no future’ attitude and rejection of bourgeois society were actually directly descended from the self-isolation and self-obsession of the Romantics as embodied in our lonely, misunderstood hero. Extract from ‘Edward Scissorhands Study Guide. ’ Reproduced with kind permission of the Film Institute of Ireland. Edward Scissorhands (1990) The town and the mansion: (00:05:06 to 00:14:28) There are two distinct locations in the film: Edward’s home in the mansion on the hill and the town which it overlooks. While they are very different places, they are similar in the exaggerated fashion in which each is presented. The gothic style mansion with its forbidding exterior, decorated by monstrous stone carvings, and its huge cavernous interior, lit only by long spindly windows, is the archetypal haunted house of the fairytale or Hammer horror. It is also reminiscent of many of the films sets of German Expressionism. By contrast the town at the foot of the hill is a pretty, peaceful, traditionally ordered society (men go to work each day, women are housewifes) as represented in American TV shows of the 1960s such as the Brady Bunch and Bewitched. The contrast between the two locations is established in this sequence. The lush, colourful landscaped garden of the inventor’s castle filled with flowers contrasts greatly with the flat unimaginative lawns which form a neat little pattern in the town below. The film set for the mansion is very dramatic, with windows and arches all slightly askew, adding to the feeling that not everything is as it should be. Peg, the Avon Lady’s entrance to the house is framed by a long shot which shows her suddenly engulfed by a huge bare interior. However, her vulnerability is counteracted by her inappropriate comments while exploring this chilling environment; â€Å"This is some huge house. Thank goodness for those aerobics classes. † The cheery lilac figure, climbing the stairs of a huge gothic house, is completely out of place. The music, which has been warning us of imminent danger, reaches a climax as Peg tells the dark approaching figure: â€Å"I’m Peg Boggs.. your local Avon representative. † It is only when Edward emerges from the dark that Peg feels afraid, but is soon reassured when he speaks. The music changes sharply at this point into something a little more melancholic as a stunned Peg looks at Edward’s hands and asks him what has happened. Again the mood quickly changes to optimism as she begins to heal the cuts on his face. Edward Scissorhands (1990) The Barbecue Scene: (00:34:03 to 00:34:57) Edward Scissorhands (1990) The Television Interview: (00:52:25 to 00:54:26) Edward Scissorhands (1990) The Diner Scene: (00:57:43 to 00:58:47) These three sequences illustrate the bold use of primary colours in Tim Burton’s mise-en-scene. The vibrant colour scheme conveys the emotional excess and unstable behaviour of the inhabitants of the town. The contrast with Edward’s gothic punk style of clothing, hairstyle and make-up is striking and it marks him out as an outsider – a fish out of water. Edward Scissorhands (1990) The Ice Sculpture: (01:12:45 to 01:14:20) In Edward Scissorhands, as in many German Expressionist films, realism is rejected in favour of artificiality which adds to the fairytale quality of the film. In this scene, the dream-like atmosphere of a romantic fairytale is evoked by the strong use of the colour white; the slow motion cinematography of the falling snowflakes (like a glass snowball); and the haunting music of composer Danny Elfman. Elfman has written the score for every Tim Burton film and his music perfectly expresses the kind fantasy world with menacing undertones that Burton aims to create in his work. Edward Scissorhands (1990) The Death of the Inventor: (01:21:27 to 01:23:06) In this sequence, Tim Burton’s mise-en-scene brilliantly conveys the strange world of the inventor that we are familiar with from the horror genre. However, the director’s intention is to subvert genre expectations. For this dark gothic interior, drained of life and colour, does not house an evil force or wicked character. How to cite Edward Scissorhands, Papers